<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Research_themes on Cynthia C. S. Liem</title><link>https://www.cynthialiem.com/research_theme/</link><description>Recent content in Research_themes on Cynthia C. S. Liem</description><generator>Source Themes academia (https://sourcethemes.com/academic/)</generator><language>en-us</language><lastBuildDate>Sun, 04 Oct 2020 00:00:00 +0000</lastBuildDate><atom:link href="https://www.cynthialiem.com/research_theme/index.xml" rel="self" type="application/rss+xml"/><item><title>Core interests and values: the 'PIISTIS' acronym</title><link>https://www.cynthialiem.com/research_theme/piistis/</link><pubDate>Sun, 04 Oct 2020 00:00:00 +0000</pubDate><guid>https://www.cynthialiem.com/research_theme/piistis/</guid><description>&lt;p>I wish to improve AI technologies in such a way, that they can help us in broadening our horizons and perspectives. In other words, I wish for these technologies to &lt;em>make us look beyond what we can initially specify and grasp&lt;/em>. This implies that our human judgement is not perfect, and still can evolve and improve. At the same time, the same holds for the technologies.&lt;/p>
&lt;p>Therefore, I do not seek to work on AI technologies that are intended as superhuman replacements of ourselves. Instead, I wish to leverage the best of both worlds: the scale, efficiency and systematic rigor that these technologies can bring, together with nuanced human insights and feedback. With approaches and insights on both sides changing and evolving over time, I do not believe in a single optimal solution to be found. Instead, I wish to approach challenges in a constructively critical way, and focus on robust iterative improvement of solutions.&lt;/p>
&lt;p>I have grown extensive experience with this in the music domain. My interests in more comprehensive accessibility of digital music information for broader audiences required for me me to connect subjective, under-articulated human interpretation (i.e. music preferences) to large-scale data representations through applied machine learning techniques. At the same time, whether any solution is indeed successful depends on the way in which the found information benefits everyday life; academically, this has been researched in the humanities and social sciences domains, so insights from these need to be included to truly assess success.&lt;/p>
&lt;p>The challenges of properly, responsibly and inclusively handling human-interpreted data, and relating technical AI outcomes to broader socio-technical observations, are currently articulated in many fields beyond music. I therefore have broadened my interests accordingly, while standing by several core values:&lt;/p>
&lt;ul>
&lt;li>to target &lt;em>&lt;strong>P&lt;/strong>ublic-&lt;strong>I&lt;/strong>nterest&lt;/em> applications;&lt;/li>
&lt;li>to conduct &lt;em>&lt;strong>I&lt;/strong>nterdisciplinary &lt;strong>S&lt;/strong>cience&lt;/em>, including and connecting methodological perspectives from different academic schools (e.g. humanities, social sciences, natural sciences), but also from different sub-disciplines within a field (e.g. applied machine learning, software testing);&lt;/li>
&lt;li>and to use these to work on &lt;em>&lt;strong>T&lt;/strong>rustworthy &lt;strong>I&lt;/strong>ntelligent &lt;strong>S&lt;/strong>ystems&lt;/em>, which optimally leverage human and machine intelligence.&lt;/li>
&lt;/ul>
&lt;p>This leads to the acronym &amp;lsquo;PIISTIS&amp;rsquo; (homophone with &amp;lsquo;Pistis&amp;rsquo;/Πίστις, the personification of good faith, trust and reliability in Greek mythology), which is the name I intend to give to my future lab, would it become a separate organizational unit.&lt;/p></description></item><item><title>Technologies for Horizon Expansion</title><link>https://www.cynthialiem.com/research_theme/horizon-expansion/</link><pubDate>Fri, 02 Oct 2020 00:00:00 +0000</pubDate><guid>https://www.cynthialiem.com/research_theme/horizon-expansion/</guid><description>&lt;p>Our present-day search engines and recommender systems strongly focus on replicating earlier evidenced consumption success. But what if a user would want to develop a new interest? And what about those many items that got digitized, but hardly ever get found, simply because too few people know of their existence? As a musician, I frequently have been experimenting with this, and I believe the solution lies in proper presentation, contextualization, and comparative differentiation with respect to known standards. As a computer scientist, I am working on scaling and generalizing these thoughts, in the music domain and beyond.&lt;/p></description></item><item><title>Validation &amp; Validity in Data Science</title><link>https://www.cynthialiem.com/research_theme/validation-validity/</link><pubDate>Thu, 01 Oct 2020 00:00:00 +0000</pubDate><guid>https://www.cynthialiem.com/research_theme/validation-validity/</guid><description>&lt;p>In the current era of big data, we can acquire and analyze more data than ever, but this data is unstructured and messy, and measurement procedures may not have been optimal. Even more strongly, in many human-focused use cases, we may not be able to fully articulate what and where to measure, even though we have a good sense on what is an intended or unintended outcome.&lt;/p>
&lt;p>In music, we frequently encounter such challenges of measurement. Music information can digitally be described in many ways using many modalities, but the success of a song is typically determined by implicit human responses. As a computer scientist, I am interested in developing validation techniques that give us more confidence in our measurement procedures, also when they occur ‘in the wild’, outside of fully controlled lab settings.&lt;/p>
&lt;p>In this, I am both inspired by notions of psychometric validity in the social sciences domain, as well as by techniques for (automated) testing in software engineering.&lt;/p></description></item></channel></rss>